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MegheDhaka Tara
Meghe Dhaka Tara (মেঘে ঢাকা তারা, 2013) is an upcoming Kolkata Bengali Movie directed by Kamaleeswar Mukherje and made under Shree Venkatesh Films banners.
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Meghe Dhaka Tara movie is actually influenced in the existence as well as functions associated with Bengali movie overseer Ritwik Ghatak. The whole movie is within monochrome other than the final picture that has already been chance within color. With this movie Saswata Chatterjee performs the smoothness associated with Nilkantha Bagchi as well as Ananya Chatterjee performs the actual part associated with Durga, Nilkantha’s spouse. The actual movie will discharge upon fourteen 06 2013. Apart from providing a merchant account associated with Ghatak’s existence, the actual movie additionally represents the actual socio-political atmosphere associated with modern Western Bengal throughout the Tebhaga as well as Naxalite actions.
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Meghe Dhaka Tara movie is actually influenced in the existence as well as functions associated with Bengali movie overseer Ritwik Ghatak. The whole movie is within monochrome other than the final picture that has already been chance within color. With this movie Saswata Chatterjee performs the smoothness associated with Nilkantha Bagchi as well as Ananya Chatterjee performs the actual part associated with Durga, Nilkantha’s spouse. The actual movie will discharge upon fourteen 06 2013. Apart from providing a merchant account associated with Ghatak’s existence, the actual movie additionally represents the actual socio-political atmosphere associated with modern Western Bengal throughout the Tebhaga as well as Naxalite actions.
CO/ Sir3
C/O Sir ("Care Of Sir") is a 2013 Indian Bengali romantic thriller film directed by Kaushik Ganguly and produced by Jaspreet Kaur. The film tells story of a blind school teacher's life and his struggle to prevent the school being sold. The lead character is played by Saswata Chatterjee.
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CO/ Sir2
C/O Sir ("Care Of Sir") is a 2013 Indian Bengali romantic thriller film directed by Kaushik Ganguly and produced by Jaspreet Kaur. The film tells story of a blind school teacher's life and his struggle to prevent the school being sold. The lead character is played by Saswata Chatterjee.
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C/O Sir/ 2013
C/O Sir ("Care Of Sir") is a 2013 Indian Bengali romantic thriller film directed by Kaushik Ganguly and produced by Jaspreet Kaur. The film tells story of a blind school teacher's life and his struggle to prevent the school being sold. The lead character is played by Saswata Chatterjee.
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I Love You
I Love You is a 2007 Bengali romance film by Ravi Kinagi. This movie has a similar plot to Maine Pyar Kiya (1989), directed by Sooraj R. Barjatya. The movie was actually inspired by the 2005 Telugu film, Nuvvostanante Nenoddantana.
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The film is a love story between a rich boy and a poor girl. Although they have been friends for years, Indra and Shantanu have grown apart and have little in common. The widowed Indra is a poor engineer who lives in a humble house in the country. Shantanu is a rich man with a vast business empire, with little time for old friends. However, when Indra prepares to work abroad, he turns to Shantanu to solve a problem. Will Shantanu let Indra's sister Puja (Payel Sarkar) stay at his house? Shantanu cannot turn down his old friend's request, and Puja comes to live with Shantanu's family. At first country girl Puja is ill at ease in the huge mansion. She is befriended by Shantanu's son Rahul (Dev), who assures her that he has no romantic interest in her and that a boy and a girl can be platonic friends. The pair share outings and confidences, and all seems to be going well. Then Rahul takes Puja to a party put on by some of his rich friends. They humiliate Puja and accuse her of scheming to marry Rahul. Puja leaves in tears and distances herself from Rahul. At that point, Rahul suddenly realizes that he has fallen in love with her. With aid of his mother (who likes the unassuming Puja) and his comic friend Manohar, Rahul sets out to win Puja's heart.
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The film is a love story between a rich boy and a poor girl. Although they have been friends for years, Indra and Shantanu have grown apart and have little in common. The widowed Indra is a poor engineer who lives in a humble house in the country. Shantanu is a rich man with a vast business empire, with little time for old friends. However, when Indra prepares to work abroad, he turns to Shantanu to solve a problem. Will Shantanu let Indra's sister Puja (Payel Sarkar) stay at his house? Shantanu cannot turn down his old friend's request, and Puja comes to live with Shantanu's family. At first country girl Puja is ill at ease in the huge mansion. She is befriended by Shantanu's son Rahul (Dev), who assures her that he has no romantic interest in her and that a boy and a girl can be platonic friends. The pair share outings and confidences, and all seems to be going well. Then Rahul takes Puja to a party put on by some of his rich friends. They humiliate Puja and accuse her of scheming to marry Rahul. Puja leaves in tears and distances herself from Rahul. At that point, Rahul suddenly realizes that he has fallen in love with her. With aid of his mother (who likes the unassuming Puja) and his comic friend Manohar, Rahul sets out to win Puja's heart.
Le HalwaLe
Le Halua Le is a 2012 Bengali-language Indian feature film directed by Raja Chanda, starring Mithun Chakraborty. The film is the remake of successful Malayalam-language film Poochakkoru Mookkuthi directed by Priyadarshan, who again remade the film in Hindi-language as Hungama later.
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BicycleKick
Bicycle Kick (2013), is a Bengali film. The film is directed by Debasish Sen Sharma, Sumit Das and produced by Success Creation Pvt. Ltd.. Music of the film has been composed by Joy Sarkar.
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Bicycle Kick: Synopsis Rubayet, a 19-year old boy studying the first year of Bangla honours, stays at his cousin’s house in North Kolkata. Rubayet is unassumingly quiet, reticent, shy, lonesome and in a way scattered. His cousin brother fails to communicate with him, his sister-in-law seems somewhat hardened towards him. A jubilant life in the para in North Kolkata bubbles around Rubayet who remains distanced. Rubayet’s peers at Pranonath Sir’s coaching centre often poke fun at Rubayet. They try to take him into their parlance but strangely Rubayet remains detached and unaffected. One day, on his way back from coaching, a football flies onto Rubayet. With a start, he jerks back. A man keenly notices him from a field spread across the road where a bunch of guys were practicing football. The situation repeats itself a second day. The third day when a football is hurled at Rubayet he adeptly receives it in a reflex and recoils. This time, the man who used to observe him had intentionally thrown the ball at Rubayet. He is… well a photographer?.... may be. An eccentric?... uuuhh. A foody?...seeing is believing. A football coach?...that’s by profession. A magic man?... here our journey begins! Meet Moti Nandi. Moti da feels an urgency to reach out to this shy, inconfident guy, to find out why there is no stir in his life . He starts searching for another self of Rubayet, who remains numb.He learns that Rubayet’s house is in a small village in Bolpur. Moti da goes back to his past and gets to know that he used to be a star footballer. His father, who was a village school teacher, disapproved of Rubayet’s passion, used to worry about his insecurities. Bur Rubayet’ dreams, ambition, skill was concentrated in football. Human nature and circumstances are equally vulnerable....
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Bicycle Kick: Synopsis Rubayet, a 19-year old boy studying the first year of Bangla honours, stays at his cousin’s house in North Kolkata. Rubayet is unassumingly quiet, reticent, shy, lonesome and in a way scattered. His cousin brother fails to communicate with him, his sister-in-law seems somewhat hardened towards him. A jubilant life in the para in North Kolkata bubbles around Rubayet who remains distanced. Rubayet’s peers at Pranonath Sir’s coaching centre often poke fun at Rubayet. They try to take him into their parlance but strangely Rubayet remains detached and unaffected. One day, on his way back from coaching, a football flies onto Rubayet. With a start, he jerks back. A man keenly notices him from a field spread across the road where a bunch of guys were practicing football. The situation repeats itself a second day. The third day when a football is hurled at Rubayet he adeptly receives it in a reflex and recoils. This time, the man who used to observe him had intentionally thrown the ball at Rubayet. He is… well a photographer?.... may be. An eccentric?... uuuhh. A foody?...seeing is believing. A football coach?...that’s by profession. A magic man?... here our journey begins! Meet Moti Nandi. Moti da feels an urgency to reach out to this shy, inconfident guy, to find out why there is no stir in his life . He starts searching for another self of Rubayet, who remains numb.He learns that Rubayet’s house is in a small village in Bolpur. Moti da goes back to his past and gets to know that he used to be a star footballer. His father, who was a village school teacher, disapproved of Rubayet’s passion, used to worry about his insecurities. Bur Rubayet’ dreams, ambition, skill was concentrated in football. Human nature and circumstances are equally vulnerable....
Paromitar EkDin
Paromitar Ek Din পারমিতার একদিন Paromitar Êkdin, lit. "One day of Paromita's", English title: House of Memories (2000) is an award-winning Indian Bengali feature film directed by Aparna Sen.
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This film is exploring the dual themes of friendship and loneliness. Sanaka (Aparna Sen) and Paromita (Rituparna Sengupta) are mother and daughter-in-law who, despite differences in age, backgrounds and temperaments, build a strong bond together. But when Paromita's marriage to Sanaka's son breaks down, social mores prevent the women from remaining close friends. While Paromita remarries and begins a new life, her mother-in-law, Sanaka, is left heartbroken and alone and eventually falls seriously ill. When Paromita learns of her friend's deterioration, she is compelled to flout convention, and returns to nurse Sanaka on her deathbed.
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This film is exploring the dual themes of friendship and loneliness. Sanaka (Aparna Sen) and Paromita (Rituparna Sengupta) are mother and daughter-in-law who, despite differences in age, backgrounds and temperaments, build a strong bond together. But when Paromita's marriage to Sanaka's son breaks down, social mores prevent the women from remaining close friends. While Paromita remarries and begins a new life, her mother-in-law, Sanaka, is left heartbroken and alone and eventually falls seriously ill. When Paromita learns of her friend's deterioration, she is compelled to flout convention, and returns to nurse Sanaka on her deathbed.
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